HEREISH , 2024neon bianco, cm 45 x 8 | Je m'appelle Olympia , 2023photo print on satin paper, cm 98 x 80,5
(1 of 16 elements) | Je m'appelle Olympia , 2023photo prints on satin paper, cm 98 x 80,5
(4 of 16 elements) | Je m'appelle Olympia , 2023action for house lights' score, digital print on music paper, cm 102 x 34 | Untitled (red curtain), 2023two velvet curtains, cm 150 x 234h each | I giorni e le ore (Days and hours), 2023fine art prints mounted on wood and plexiglass, variable dimensions | Giorno, 2022offset print on 170gr ivory paper, cm 50 x 70 | giorno dopo giorno, 2019pink neon, cm 206 x 22, plexiglass box | giorno dopo giorno, 2019blu neon, cm 206 x 22, plexiglass box | Untitled (i colori sono miei), 2019digital print cm 50 x 47,5 | Into The Forest, 2018billboards cm 500 x 300 (east wall) and cm 800 x 300 (west wall), site-specific installation at Le Petit Versailles community garden, New York | The role of objects is to restore silence, 2018white wall writing on white walls, site-specific | Yet not Yet, 2018glazed ceramic, cm 21 x 21 | Untitled (quoted values in gold), 2017golden cardboard sheets cm 87 x 58, variable diemensions (version of 15) | Public signs daily gestures, 2017vinylic letters on aluminium, cm 43 x 75 | Public signs daily gestures, 2017painted cardboard, wood, variable dimensions | Thinking takes time, 2017canvas letters on canvas, collage cm 153 x 185 approx | Untitled (chessboard), 2017painted canvas on canvas, collage cm 150 x 160 approx | Jouer, 2017crayon on fine art paper, com 50 x 65 | Hands, 2017painted cardboard boxes, crayon drawing, cm 24 x 15 x 30 h | A list of dos and don'ts, 2017acrylic on yellow cardboard, cm 68 x 96 | Untitled (autunno), 2017stampa fotografica cm 10 x 13,3 in cornice cm 34 x 38 | A fantasy that shoots real bullets, 2017wooden letters on bachelite, cm 40 x 50 | Windows Trains Threes Songs, 2017acrylic paint on wood, cm 48 x 17 | The production of thought while speaking, 2017print on glazed ceramic, cm 16 x 36 approx | self-portrait at 39, 2017engraving on clay, cm 30 x 42 | acrylic writings, 2017 in progressacrylic paint on fine art paper, cm 50 x 70 | hereish, 2016spray paint on aluminium | as still as the sea could be, 2015laser cut text, enamelled alluminium, cm 140 x 30 x 380 h | to dare, my love, 2015blue neon, cm 30 x 152 | nord est sud ovest, 2015screen print on fine art paper, cm 29 x 35 | it's not only that. it could be that. it isn't always, 2015silk-screen print on fine art paper 500g, cm 90 x 80 (version of 6 different colors) | it's not only that. it could be that. it isn't always, 2015silk-screen print on fine art paper 500g, cm 90 x 80 (version of 6 different colors) | Untitled, 2015black and white print on semi-glossy paper, framed, cm 44 x 37 | Behind words. Artist Richard Nonas measuring the space of an idea, 2014digital print, framed, cm 40 x 30 | Untitled, 2014white cardboard puzzles, plexiglass boxes, variable dimensions | Untitled (quotation marks), 2014clay, cm 13 x 7 | Untitled, 2014laser print, glass cm 41,5 x 27 | Ogni orologio è un labirinto, 2014handwritten text, glass cm 41,5 x 27 | Faraway memories, earlier memories, detestable memories, wonderful memories, 2014golden embroidery on cotton, plexiglass box cm 61 x 68,5 x 6 | Untitled, 2012black and white print, framed, cm 50 x 54 | Untitled (detail), 2012black and white print, framed, cm 50 x 54 | Labirinto, 2012white and varnished plaster, variable dimensions | The mirror house (about multiple truths and the real reality of real-time images), '12wood, mirrors, varnished aluminium, cm 240 x 50 x 210 h
| Faraway memories, earlier memories, detestable memories, wonderful memories , 2012brass letters, variable dimensions | Je m'appelle Olympia, 2012action for house lights, Olympia Music Hall, Paris | She doesn't say things are. She says: things seem to me, 2011inkjet print on fine art paper, cm 30 x 42 | She doesn't say things are. She says: things seem to me, 2011pink neon, 20 x 200 cm | Distance becomes the secret language with which the conversation takes place, 2011colour print cm 6 x 8, black frame cm 30 x 37
| Paesaggio continuo (folding room divider), 2011brass, laquered wood, cm 182 x 192 x 3
| I giorni e le ore (Days and hours), 2010lambda prints mounted on wood and plexiglass, variable dimensions
| Three figures, 2010text impressed on glazed ceramic, cm 15 x 19,5
| untitled (collage), 2010collage on paper, cm 16 x 23
| The production of thought while speaking, 2010print on glazed ceramic, cm 16 x 36 approx
| I giorni e le ore (Days and hours), 2010lambda prints mounted on wood and plexiglass, variable dimensions
| I giorni e le ore (Days and hours), 2010glazed ceramic, cm 40 x 40
| Light Year Ring, 2007white and red neon mounted on plexiglass, cm 100 x 120
| Into the forest, 2010four laquered and enamelled wooden columns, 80 / 130 /140 / 150 cm height
| Distance, language, 2010lenticular printing, cm 62 x 70 (double view) | Mappamondo, 2009wood, polyester, sphere diameter cm 40, fabric strip cm 29.25
| Distance becomes the secret language with which the conversation takes place, 2009laser cut text, enamelled alluminium, cm 180 x 30 x 400 h
| Non ricordare non aver dimenticato, 2007white neon, cm 18 x 300
| Four flags suggesting four possible answers, 2007iron, variable dimensions
| Every day, every morning, every day, 2007screenprint on iron, cm 80 x 45.5 x 89
| Delicate polyhedra: the mirror house (about multiple truths and the real reality of real-time images), 2007 - 2012wood, mirrors, varnished aluminium, cm 240 x 50 x 210 h
| Two dices, 2007wood, marble, cm 120 x 80 x 6.6
| Untitled (infinite interrupted), 2007screenprint on wood, aluminium border, diameter cm 109 x 2.5 | The silent sound sense, 2007leather, paper, fabric, cm 23 x 21 x 9.5 approx
| Studio per figura di movimento, 2007inkprint on fine art paper, cm 86 x 90
| Passangers to be seated during the voyage, 2007engraving on plexiglass, cm 34 x 14 x 43.5
| "Repetition is the key to learning", he said. "It's good", she said., 2007text impressed on museum board paper, cm 40 x 50
| “Yes, one should never stop writing possible stories”, 2006brass monocle with a prismatic lense, text engraved on a white plexiglass plaque,
wooden box
| It was already there, long time before the beginning and after the end, or vice versa, 2006iron and steel stand, cm 400 x 200 x 175 h | Untitled (colors), 2005digital print on fine art paper, cm 50 x 70
| Local time at destination (self-portrait in Phnom Pehn), 2005lambda print cm 70 x 50 | French origami (how to make it easily), 2005digital print on fine art paper, cm 80 x 60 | Timed exercise of a white pause, 2005digital colour print on aluminiun disc, enameled iron tripod, elettric motor, timer | Delicate polyhedra: winds’s rose (already star of the uncertainty of the direction), 2005natural tek wood, mirroring steel sheet, steel hinges, variable dimensions | 2005, 2005cut out calendar, brass plaque | I colori sono miei (The colours are mine), 2004digital print on aluminium, plexiglass box cm 18.7 x 7.6 | Quaderni, 2002 in progressdigital print cm 44 x 64, framed | Behind words. One hour memory exercise, 200321 typewritten A4 pages with handwritten corrections by the artist Richard Nonas, 1 brass bar cm 50 x 3.2
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